Friday, April 30, 2010

DEATH RACE (2008) (a review) ...and the original too...




This is the remake of the classic Roger Corman movie, DEATH RACE 2000, made in 1976 starring David Carradine. This one stars Jason Statham (Crank, Transporter, various Guy Richie movies and a good movie in The Bank Job) and has as his arch-nemesis Joan Allen. Yes, Joan Allen. Yikes.


The story: Jensen Ames (played by Jason Stathem) who loses his job and comes home to his loving wife and child only to have a man kill his wife and frame him for her murder. He is sent to prison where the warden (Joan Allen) gives him an opportunity to participate in the famous Death Race. You see, a famous racer, Frankenstein (a man so deformed he wears a mask at all times), is dead but because he is so popular the warden has kept it secret. If Ames takes his place (wears the mask) and wins the next race he can win his freedom and get back his daughter who is being rased by some else. Ames accepts and enters the race taking the place of the dead Frankenstein. This Death Race has the prisoner racing around a track inside the prison, gaining weapsons and shields on the track as they try to kill each other and win the race. During the race Ames will also find out that one of the racers is the man who killed his wife and that the warden set him. Now it's not just about racing...it's personal!

Um...okay. So they've taken all the social commentary out of the original (as well as all the humor) and made this into a pretty straight forward action flick. Which is okay, if they do it well, which unfortunately they didn't. In fact, this is an incredibly stupid movie. The first half is actually okay. We have the death of the original Frankenstein (played by David Carridine, reprising his role from the original) and we have Ames getting framed and sent to prison where we learn about the race and watch Ames do his thing. It's all pretty good, if kind of stiff. You've got this FUGATIVE angle of Ames being framed and you've got this action gimmick in the actual death race, but by midpoint there just isn't anything else to do. There isn't really any mystery about who killed Ames' wife and framed him and it's no surprise when the warden is behind it. So we just get more of the same -- more racing, that all looks basically the same -- more grunting, more attempts by people to sabotage his car and more and more ridiculous things thrown at him. How ridiculous does it get? Well, at one point the warden unleashes some monstrous car/train/tank/fire-missile thing at them in the middle of the race. Huh? Why? How does that play into the race at all? Wouldn't people watching wonder why the f&ck this thing is doing in the middle of the race? It makes no sense, but I'm sure they thought it would look good so what the hey.

And then the ending, again, makes no sense. So Ames was framed for mudering his wife. You'd think the finale would involve clearing his name and getting revenge. No, it's about escaping. And where do they escape to? Miami. Except now he's really a fugative who escaped from prison on national tv and is still wanted for the murder of his wife. And he has no money, except now that isn't a problem for some reason. WTF?

And how does that impact the television show that is Death Race or what it means to the prison system or how does any of this connect back to the basic concept? It doesn't. Oh, and how do they get revenge on the warden? They send a bomb to blow her up -- and it's not even Ames who does it but one of the other prisoners. But if it's so easy to kill her why not do it before? And if it's so important to kill her as revenge why isn't Ames doing it himself?

Seriously, the second half of this movie is just stupid. It was directed by Paul WS Anderson who has made a living off incredibly bad and stupid action movies and this is as bad as any of them. It's a shame too, because in a celebrity-reality show obsessed culture like we have it would seem that Death Race would be a great movie to remake. But the original Death Race 2000 worked because it had something to say and this is as empty and stupid as any movie ever made. Which isn't to say it has to comment on society or anything -- if they want to do a Fugative/Shawshank thing that's fine, but they use that to say something about...I don't know...getting framed or the system that doesn't care about innocence or something. This had nothing, so by the second half they have to just throw more and more ridicuous things at the screen.

Lame.

The one positive thing about the movie was his co-pilot, Case, played by Natalie Martinez, who is about the hottest woman I've seen on screen all year. I have to buy new glasses because seeing her caused my eyes to melt and now my perscription is wrong. Wow.

*** MAYBE RENT if you want a really dumb action movie and even then you should probably only watch the first half ***

Now let me talk a minute about the original DEATH RACE 2000, the classic Roger Corman film starring David Carradine.

First let me say...

*** ABSOLUTE CLASSIC -- MUST SEE -- HIGHEST RATING ****

The story: in the future, the president has become a dictator who controls the people by satisfying their blood lust with something called the Death Race, which has car racers driving across the country killing as many people as they can. Each kill get you points -- more points for the elderly, children and cripples. The drivers are as famous as rock stars and people will sacrifice themselves or others so their favorites can gain points. Of course, some people don't like them and want to kill them, so they have to beware of people setting traps. The movie centers on FRANKENSTEIN (played by David Carradine). Rumors abound about who he is and why he wears the mask, most assuming it is to hide a horrible disfigurement. In this race, Frankenstein gets a new navigator after killing his last one. What he doesn't know is this navigator is part of a resistance that wants to kill him. However, she learns that Frankenstein is not the real Frankenstein -- that it is just a name and a mask and when one Frankenstein is used up they get other, except this Frankenstein has a plan to end the race forever. Whoever wins the race gets to shake the hand of the president and he will use that to kill the president. Now his co-pilot has to help him win the race even as her own people are trying to kill him and the other racers trying to defeat him so he can get his chance to kill the president and end the race forever...

So what is this movie doing that is so much better than the remake. (Short answer: everything.) First, in addition to the action concept (which is there in both movies) there is the social commentary -- the bloody death-filled Death Race was a reflection of the violence obsessed culture of the 70's. Not only it that commentary there, but it is woven throughout the movie. The people who love the race and help the drivers to kill, the people who hate the race and try to kill the drivers. His co-pilot is part of the resistance. His plot to kill the president to end the race. Everything keeps pulling back to the concept of the race and what it means. In the remake, the race is just a plot device. The fact that it's a tv show never has any real influence on the protagonist. The story of the remake is really about a guy who is framed trying to get out, but there isn't much story there. There's no big mystery about who is behind it and he never does anything to clear his name. It doesn't even feel like a revenge film since going to jail and joining the race aren't part of his plan, so he really only starts to look to avenge his wife after midpoint and even the big finally is about escape, not revenge. So while the original does a great job keeping everything focused, the remake is (at best muddled). There's also the movie itself. The original while commenting on society's love of sex and violence also satified it with plenty of action, blood and nudity. It's about the R-rated side of society and they made an R-rated movie to explore it. The remake is oddly devoid of this. There is no sense of the bloolust that would make the death race popular within the race itself. The racers don't like it, the co-pilots don't like it, the warden doesn't like it. So why is it popular? Why does it exist at all? And again that's the problem -- the movie wants to use these things, but not really tap into them, which would be okay if there was some other, deeper story it wanted to tell, but there isn't. So while the original is focused and cool, the remake is at best a muddled mess of concept and story, neither of which support each other or make any sense.

Want to make a great movie? Come up with a cool concept, then use that concept to tell a good story and make sure everything -- every decision from the plot to the dialog to the character arcs to the casting to the set design will help support and focus on that story. If you have a muddled concept, if you have a muddled story, if your story and concept don't support each other, if those other decisions you are making don't support the story you are telling, then everything will fall apart and what you will get is at best a muddled hot mess and at worse is something stupid and lame. Like DEATH RACE (2008).

*** (original DEATH RACE 2000) -- CLASSIC MOVIE! MUST SEE!!! ****

*** DEATH RACE (2008 remake) -- MAYBE RENT if you want a lame action movie and even then you should turn it off by midpoint because it just gets more and more stupid from there ***

DEXTER SEASON ONE (a review)



Yeah, I'm late to the game with Dex. This is a show people have been raving about since it first aired. I finally sat down and got through the first season. So how was it?

The story: Dexter is a serial killer. He works in forensics at a Miami police force and he kills bad people. Then a new serial killer comes to town, someone who seems to know Dexter's secret, someone whose killing are so elaborate and (to Dexter) wonderful that it becomes a kind of courtship between him and Dexter.


Now Dexter comes off as something dark and different and daring. It is a story centered on a serial killer and a lot of the episodes are about his serial killer-ness. Where most series would try to make him as normal as possible to keep him likable (they do make sure he only kills "bad" people), this series really dwells on the things that make him different -- how he has to fake emotions and his aversions to a lot of normal human behavior. But instead of pushing us away, they actually make the character more fascinating.

Overall I thought the first season was very well done with some really nice touches. I wasn't as drawn in because I've read about serial killers before, so a lot of it felt familiar and the ending -- the reveal of the Ice Truck Killer and his connection to Dexter was too pat and kind of lame. Still, there was enough good in this series that I can see why it got so much acclaim and I'll definitely be watching season two soon.

*** RECOMMEND ***

AND THEN CAME LOLA (a review)

Lame.

Did you ever think: let's take a great little German character/action film and remake it with lesbians to try to hide the fact that we are screwing up all the things that worked in the original and have no idea how to make a film with any energy at all? Well, the people who made this film did.

The story: Lola gets call from her girlfriend that her gf is at a meeting and needs her photos to get a gig and she needs undependable Lola to get them before the person leaves at five o'clock. So Lola runs out of the apartment and goes through wacky encounters trying to get the photos to her. But everything goes wrong. Then we are back at the start and we go through it all again, but with variations, seeing now a different side. And then we do it again.

So the movie this lamer is a rip off of is RUN LOLA RUN. If you haven't seen it -- see it! RUN LOLA RUN is absolutely worth watching. In fact, let me review that movie first:



The story: a girl gets a phone calls that her boyfriend lost some money he was supposed to deliver to drug dealers and she has to get $500K to him in an hour or they will kill him. She tries to get the money from her father, eventually robbing her own father and trying to get to her boyfriend. But she is too late. The bad guys shoot him. Dead. Then she wakes up back at the phone call and it starts again as she deperately tries to save him again...

The story is so simple and yet it is wonderfully well done. It the energy and urgency of an action film and yet using this look structure, it also gets to explore character. We see Lola (and her boyfriend) struggle with the seemingly impossible fate of her boyfriend's eventual death, trying to overcome their own bad decisions as they try to save him. Interspersed are the people Lola passes whose lives (fates) are shown to us through a series of still photos.

If you want something different, but want the energy of an action film, RUN LOLA RUN is a must see!

Now only the lame rip-off (with lesbians).

AND THEN CAME LOLA...wow. It's weird because you would think a movie that blantently rips off another movie so, well, blatently would at least be close to equal of the original. So where did they go wrong?

Well, first they changed it from more of an action/character film to a comedy. That in itself isn't bad -- I mean the same structure was used for GROUNDHOG'S DAY which was fantastic -- but it starts a series of bad decisions. First is the stakes. In the original it has Lola trying to save her boyfriend's life. In this one she is trying to get photos to her girlfriend so she can get a job. So what's the big deal about this job? Well, nothing as far as I can tell. And that's the problem -- there doesn't feel like there's anything at stake. Movies are driven by hope and fear. So we understand she would like to get the job, but if she doesn't...? So Lola's whole goal of delivering the photos seems bland. Now that could have been okay if they had bigger stakes for Lola -- for instance her gf thinks she is undependable and if she screws up one more time then her gf will leave her. Except that isn't set up well at all. There are places where it seems to go in that direction and others where it doesn't. Plus, the photos not being there isn't Lola's fault. The girlfriend was supposed to get them, but the shop was closed, then the business people pushed up the meeting. So even if Lola isn't able to get the photos to her gf, it's not like any of it is her fault. So, again, the movie feels like there just isn't anything at stake, which makes the movie feel very blah.

Added to this is the horrible directing. Now in most low budget movies, it's the acting that's bad, but here you have a premise about someone rushing to get these photos across town on time, and yet the movie has no energy at all. Part is the lack of stakes I mentioned, but the director again adds nothing, and not only doesn't add, didn't even copy from the original -- and you wuld think at they'd be trying to at least make it on par with the movie they are ripping off.

Interspersed with the running and photos Lola runs into an ex- and her current and the movie does seem to want to say something about love or relationships or something, but to be honest to story construction is so muddled that by the end instead of making a statement with some impact everything is just blah.

No stakes. No energy. No good.

*** (Run Lola Run) -- HIGHEST RECOMMENDATION ****

*** (And then Came Lola) -- AVOID ****

Tuesday, April 27, 2010

a post about those Duke haters...

"I hate Duke almost as much as I hate the Nazis." -- Burt Hummel on GLEE.

Wow. Duke haters even on GLEE? This is a show about high school musical theater and even they hate Duke? Seriously? This line comes at the end of the episode when ??? and Fynn finally bond after Fynn has accepted that Kurt's dad is dating his mom -- the first man she's dated since his dad died. And how do they bond? By watching sports. And what's the first thing Kurt's dad says? (See quote above.)

Ouch.

Well, GLEE, I still love you. But your writers are a bunch of pussies.

It's Bango's world. We just live in it.

Bango is the mascot of the Milwaukee Bucks. He's a guy in a fuzzy dear suit. And he's just about the most amazing thing I've seen in a while. Don't believe me? Check out this mega-redaculous dunk as he does a back flip off a 16 foot ladder.

Yes...a BACK FLIP...off a LADDER!



From another angle:



Here's another video made to support the Buck's new slogan -- Fear the Deer!



A highlight reel:



Cheerleader gets attacked by Houston mascot and saved by Bango:



Like I said -- It's Bango's world. We just live in it.

Monday, April 26, 2010

SHE'S OUT OF MY LEAGUE (a review)


So this is another movie about someone dating someone they think is too good for them. I've also reviewed THE TRUTH ABOUT THE AVERAGE MAN (where a guy has his friend pretend to be mentally challanged so he can be with a girl he thinks is too good for him) and I COULD NEVER BE YOUR WOMAN (where an older woman dates a younger man and is constantly insecure about it). How did this one fare compared to the others?

The story: Kirk (Jay Baruchel) is insecure. He isn't proud of his job at airport security, he's never really done anything, his last girlfriend dumped him and his parents seem to still like her and her new bo' more than him. Then he meets Molly (Alice Eve), who not only is beautiful but also seems to have done everything Kirk couldn't imagine -- she was a lawyer but left it to pursue something she loved more and is now a very successful party planner, she has traveled, she has a great apartment, and she has dated other hot, successful people. No one -- including Kirk's friends and family -- think he is good enough for her and the movie is about him struggling with his insecurity.

Um...yeah. So this movie, like I COULD NEVER BE YOUR WOMAN, is all about a person being insecure even when the other person really isn't giving them any reason to be. It's not like the girl is flirting with other guys or ignoring him or doing anything to make him think she isn't into him. And I get that insecurity is tough to shake and it can be self-destructive, etc -- but as a movie it's pretty boring. It's the same note again and again -- he's insecure, all his friends say he isn't good enough, yada yada yada. There are some laughs and some decent moments, but it just feels like the same thing over and over until late in the second act when Molly reveals that she is dating him because her ex- cheated on her and she thought he would be safe and that he wouldn't hurt her. For me, that was a cool moment because instead of just him (and his friends) thinking that he isn't good enough it really is that BOTH of them don't think he's good enough. And if that had come earlier (by midpoint at the latest) it could have been a really interesting movie. Instead it comes way too late, only after we've sat through an entire second act of the same thing over and over and over.

Still, it wasn't horrible. But it wasn't great either.

*** neutral ***

Sunday, April 25, 2010

a post about those Duke Haters...

From an ESPN special on JJ Redick (Duke 2001-2005, one Final Four, National Player of the Year). At one point Travis Clay of CBS Sportsline called Redick the "most hated current athlete in America."[